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Talent, February 2, 2009

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Talent, February 2, 2009

Mesaj  Admin la data de Joi Feb 05, 2009 12:55 pm

February 2, 2009

"What a bitter struggle is waged between talent and fate," wrote Nguyen Du, author of "The Tale of Kieu," the most revered saga in Vietnamese literature. So important is the 3,254-verse epic poem that most children in Vietnam know much of it by heart. Written in 1820, it's the story of a young girl whose beauty is her principal talent but who suffers one miserable setback after the other. Finally, she is forced to sell herself. The Vietnamese take the story to be a metaphor for their country--beautiful but doomed. "When one is endowed with talent," goes the moral, "one cannot depend on it."

On first examination, this idea holds both spirituality and beauty.

Talent is often thought of as those sorts of gifts we are born with--blessings like beauty and brains--or as abilities to be developed, such as drawing, painting or musicianship. One thing's for sure: having talent doesn't mean you're fated to make it work for you. Like a flower blooming in a desert, talent can be unseen and unappreciated.

The development of talent takes fertile ground and dedicated application. Individualism--even eccentricity--is the key to invention and creative evolution. In societies that revere fate, talent is stifled. Like the proverbial nail that sticks out, talent gets hammered down.

Where ideology lingers and opportunities are limited, fate becomes a dominant power. Here in Vietnam the annual income is $500. Unemployment is high. In the countryside, there are few telephones or television sets. Public information and patriotic music are broadcast on the streets and across the fields. Transportation is by foot or bicycle. Sanitation is primitive. Barefoot young women--programmed rice-transplanting machines--stoop knee-deep in flooded paddies. The passing water buffalo driver looks with benign apathy at the peculiar foreigner and wonders "why?"

For those talented ones in any culture who are fated with some degree of freedom from everyday toil, there can be little excuse.

Best regards,

Robert

PS: "Good fortune seldom came the way,
Of those endowed, they say,
With genius and a dainty face,
What tragedies take place."
(Nguyen Du, from The Tale of Kieu)

Esoterica: I'm laptopping you from noisy Ly Thuong Kiet Street in downtown Hanoi. Thousands of motorbikes pass here every hour, their stoic drivers masked against the bluish pollution that lends to an ethereal perspective in all directions. They move steadily, toot frequently and pay scant attention to the occasional traffic lights. The system works remarkably well. "Don't do anything eccentric or quick," shouts our guide as we step out into traffic. "Move slowly and with others as if flowing in a river--the waters will part for you."

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Current clickback: The price of popularity contains illustrated reader responses and live comments about how critics differ from collectors, with particular focus on the life of Andrew Wyeth.

Read this letter online. And please comment or give your own ideas about the struggle between talent and fate. Illustratable comments relating to this letter can also be made at rgenn@saraphina.com. We look after the illustrating by going and finding your work online or using what you send to us.

Facebook: Michelle Moore, 20, who manages our free links, thought my face would be okay for Facebook. She put the letter there too. Please go here.

Featured Responses: Alternative to the instant Live Comments, Featured Responses are illustrated and edited for content. If you would like to submit your own for possible inclusion, please do so. Just click 'reply' on this letter or write to rgenn@saraphina.com.

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